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The requisite Artist’s Statement, below.
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Working with an adapted metaphor based on Blood Falls, AN., I use found and recycled materials to create embodied topographies.
The symbolism of Blood Falls informs both the aesthetics and construction of the work as the 'unconscious' pathways of their construction mimic the unplanned processes of accumulation, erosion and collapse that define geologic feature formation.
My work inverts the standard, voyeuristic presentation of female bodies by eschewing form for function. In absence of passively familiar fields of flesh, I Instead present messy, mutating, interdependent systems of becoming. Each piece is built to shift, sag, and sway over time. Like the shadows in a Shirley Jackson story, they refuse to stay still.
My work continues to evolve towards a more sculptural and process-oriented perspective.
